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Sid
Colin - Guitarist, 1920-1989
Guitarist,
Singer and Scriptwriter, working for both Television and
the Cinema. He is best remembered for the television comedies The Army
Game (1957–59), Up Pompeii (1969–1970) and the film Percy's
Progress (1974). On Up Pompeii! and Carry on Spying (1964),
he collaborated with regular Carry On series writer Talbot
Rothwell.
Sid Colin also other sitcom
include Meet the Champ (1960), On
the House (1970–71) and Whoops
Baghdad (1973)
Where Ignorance is Bliss:-
The
series proper began on 26 July with Stewart MacPherson the fast-talking Canadian
sports commentator as question-master. Harold Berens was the cockney ignoramus
('What a geezer!'), Michael Moore the monocled upper-class twit ('I have a poem,
Mr MacPherson!'), and Gladys Hay the fat lady ('Oh, he's nice, isn't he! What's
your first name, ducks?') who provided the regular routine: 'Now we're back to
Miss Hay again!'. Sid Millward and his Nitwits 'provide the tumult when the
shouting dies'. Sid Colin was the scriptwriter. Professor (later Doctor) Crock
and his Crackpots replaced the Nitwits from lo March 1947, founding a successful
stage career, and yet another musical ensemble took over from 7 July 1947: the
New Foulharmonic Orchestra conducted by Mynheer Hal Evans. When the series
returned on 15 March 1948, 'musical indiscretions' were supplied by the Welsh
double-act, Albert and Les Ward.
Sid Colin began his entertainment
career as a guitarist and singer with the popular British dance band, Ambrose
and the Squadronaires. One of his most famous songs is "If I Only Had Wings,"
which he wrote for the RAF; it has since become one of the organizations
favourite tunes. Just after WW II he began writing comedy for Radio, eventually
writing for Films and Television as well. Later Colin wrote several books,
including a biography of Ella Fitzgerald. and Al Bowlly.
It was “oom ching, oom
ching, all night long”, wrote Sid Colin.
40's
Squadronaires - Sid Colin on Gibson Guitar, Jock Cummings Drums, Ronnie Aldrich
Piano, Arthur Maden Bass
Many musicians were called up during the war, and they often found themselves
providing entertainment to their fellow servicemen. Military service did not
seem to rule out occasional work in the recording studios, and Ronnie Aldrich’s
illustrious recording career appears to have commenced on 3 May 1940 as pianist
with the RAF Dance Orchestra, later to become famous as ‘The Squadronaires’. One
of his colleagues in the band was guitarist Sid Colin, who also
provided many of the vocals. A big wartime hit was "If I Only Had Wings", for
which Aldrich provided the music to Colin’s lyrics. (Sid Colin
later achieved fame as a scriptwriter). Ronnie eventually became leader of the
Squadronaires when its famous director Jimmy Miller left in 1950, a post he held
until it eventually disbanded in 1964, following their final season at the
Palace Ballroom, Douglas, Isle of Man.
Squadronaires with Sid Colin on Vocals - Dancin at the Palais
Squadronaires with Sid Colin on Vocals - Cow Cow Boogie
Squadronaires with Sid Colin on Vocals - Keep an eye on your heart

George Chisolm, Jimmy Miller, Sid
Colin
George Chisolm - We'd taken to calling ourselves
The Squadronaires -
unofficially. The Air Council forbade the unqualified use of this
commercial sounding name. I can just picture some red-faced, handlebar-
moustached Air Vice-Marshal recoiling with a cry of "Ugh! Smacks of
trade!" - so, on best behaviour days, we were billed as "The Royal Air
Force Dance Orchestra (by permission of the Air Council)"; a snappy
little title, you'll agree. By way of a minor concession, in very, very
small letters underneath, it said "The Squadronaires". But whenever we
got out of town, we were "The Squadronaires" in big letters and all the
other rubbish at the bottom. "What did you do in the war Daddy?"
'l was a Squadronaire!"
Sid
Colin later wrote, British dance music sounded "effete and fussily
old-fashioned". Swing heralded other developments, notably the
schism between jazz and youth-oriented pop: on the one hand, young
black musicians, exasperated by this colonisation of jazz, evolved a
more abstract music dubbed bebop; on the other, the singers who appeared
with dance bands reacted against their 'accessory' status and began
seeking solo
careers.
Sid
Colin the singing guitarist, later to become an honest broker of jokes,
japes and wheezes in the noble profession of comedy scriptwriting.
Such is the alternative life of a Guitarist exposed to the rigours of Gigging.
and amusing his colleagues in the band.
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