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Judd Proctor Guitarist 1933 -
Judd
Proctor, from Doncaster b 2nd Jan 1933
Originally played plectrum banjo
but switched to acoustic guitar at 14, played gigs with local bands and won a
regional Melody Maker contest with The Zetland Players. Did National
Service in 1951-53 with the RAF and while stationed at Maidstone played in
Les Evans
rehearsal band and took lessons from Ike Isaacs.
National Dance band Championship
Picture 1949 from Michael Wiper - the Bassist Phil Wiper's Grandson - also a
Bassist - who wishes to receive more info on Judd Proctor and any surviving
original Zetland Players. (new) -
Zetland Players name inspired by
Zetland Road, Doncaster.
The photograph show on the
site of The Zetland Players was taken at the Danum Hotel in Doncaster.
The name of the Zetland Players was derived from Zetland Road in Doncaster. As
both your grand father, Harry and Phil Elwiss lived in Zetland Road when the
band was formed by them.
Phil Elwiss passed away in 1990. The band was Phil Elwiss alto sax and clarinet
Ivor Goodhead piano
Harry Wiper bass
Judd Proctor guitar
Fred Bessant drums. Fred is still with us. - (supplied by Claire E Clark)
After demobilisation he did his
first professional work with . Played summer
seasons with various bands then then moved to London to join Drummer Norman Burns
Band from
February until July 55.
Norman Burns Band - March
25th, 1955 (Esquire)
Ian Cameron (tp), Martin Slavin (vib), Dave Davani (accor),
John Smith (p), Judd Procter (g), Peter Hugget (b), Norman Burns (d).
Davani's Design/Wooftide/Yesterdays/Without A Shout.
Judd
Procter was member of Ray Ellington's
Quartet for 6 years from July 1955. Many radio dates included the Goon Show
broadcasts.. He left Ray Ellington to concentrate on session work, playing for
television radio, recordings etc. Took time out to tour Japan with Stanley
Black 1965 and to work with Benny Goodman on record and on various concerts in
England 1971.
Judd
Proctor with Ray Ellington 4 with tight interplay between Proctor
and Katz.
The Ray Ellington Quartet evolved when Ray joined the Caribbean Trio, a touring
group comprising Dick Katz on piano, West Indians
Lauderic Caton on guitar and
Coleridge
Goode on bass. Their concert debut took place on Sunday 7 December
1947 when
they appeared on one of Ted Heath's London Palladium Swing Sessions. In addition
to radio and television broadcasts (TV having resumed, having been so rudely
interrupted by the war), a recording contract with Parlophone was secured. It is
thanks to many of Ray's Parlophone, Decca and Columbia records made between
1948
and 1955 that we are able to enjoy here forty varied and entertaining sides.*
There were a few personnel changes within the quartet over the years from May
1949; Lauderic Caton was the first to go (he was replaced by
Laurie Deniz)
Dick Katz
Pianist Dick Katz was
born in Germany in 1916 and moved to Holland in 1933. He came to England in the
early 1940s and joined Carlo Krahmer in 1942 and also Harry Parry's Sextet. In
1944 he worked with Cab Kaye before service in the RAF. Katz was an adaptable
musician and work followed with the Vic Lewis / Jack Parnell Jazzmen and the Lauderic
Caton Trio. He also led his own trio in 1946. He worked briefly with Buddy
Featherstonhaugh and then
rejoined the Caribbean Trio which formed the basis of the Ray Ellington Quartet
where he stayed until 1959. He then quit full time music to work in a theatrical
agency eventually managing various artistes, although he still played gigs in
the 1960s
Superb musician, pianist Dick Katz who, can adapt to any style. Dick was an
original member of the Ray Ellington Quartet, along with West Indian guitarist
Lauderic Caton, who we had first heard during the war years with Harry Parry’s
Radio Rhythm Club Sextet, and another West Indian, Coleridge Goode on bass. Ray
himself had, of course, come to the fore prior to the war when he took over the
drum stool with the Harry Roy Orchestra. The quartet was later joined by the
charming and stylish vocalist, Marion Ryan and, ,when Caton and Goode moved on,
the former was succeeded in turn by Laurie Deniz, Don Fraser and Judd
Proctor, and the latter by Bob Duff, Ken Sprang and Peter McGurk. When
Marion Ryan went solo. she was succeeded by yet another charming stylist in the
person of Valerie Masters, who was to become Mrs. Katz.
Ray Ellington was born in London as Harry Pitts Brown on 17
March 1916, to a Russian Jewish mother and an African-American father. A singer,
drummer, and bandleader, his Ray Ellington Quartet had a regular musical segment
on the The Goon's radio show,
Judd Procter Plays Cavaquinho
Judd Proctor was often in Don Lusher's big band
during the late 70's and 80's but mainly occupied with session work in the
1990's. Judd was an early sponsor of the Hofner President guitar
Distributed by Selmer.
Date:
March 13, 1977
Location: London Palladium, London [First & Second Shows At The
Palladium]
Label: POLYDOR
Peggy Lee (ldr), Ken Barnes (pdr), Steve Taylor (eng), Peter Moore, Jack
Parnell (con) Pete Moore & Jack Parnell Orchestras (acc), Bob Burns (as),
Duncan Lamont, Tommy Whittle (ts), Kenny Baker (t), Richard Edwards, Don Lusher
(tb), Tony Fisher (fh), Judd Proctor (g), Unknown (str), Ronnie Price (key),
Ronnie Verrell (d), Peggy Lee (v)
Max
Harris and the Red Hot Peppers - A reconstruction of the music of Red
Nicholl's Band for Twyla Tharpe's Ballet which was screened on the Aquarius arts
programme of London Weekend Television. Max
Harris - Arranger
Recorded 1975
Pye NSPL 18455
Brian Lemon - Piano
Judd Proctor - Guitar/Banjo
Jock Cummings - Drums
Kenny Baker - Trumpet
Keith Christie - Trombone
Ian Christie - Clarinet/Soprano Sax
Roy Willox - Tuba
Jack Collier - Double Bass

Above info and images courtesy of Alex B - for Jack
Cottler read Ian Christie
Get Carter Film Score
Music by: Roy Budd
Performed by: Roy
Budd, Jeff Clyne, Chris Karan, Brian Daly and Judd Proctor
 
Hofner Guitarists
of the day C1957
Jeff Rowena, Bert Weedon, Roy Plummer, Bobby Coram, Frank Deniz, Judd Proctor,
Denny Wright, Dennis Newey (BBC NDO), Eric Kershaw, Dickie Bishop, Don Fraser,
Bill Shearer.

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