Manouche Maestro |
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Peter Chilver's Guitar in 1945 aged 21 he acquired a Gibson Super 400
In 1934 the Gibson Super 400 had an 18" wide body , an
adjustable bridge with triangular designs
, it was assembled with
figured maple wood back and
sides , fitted with a Y shaped tailpiece, had triple bound f-holes, brown pearloid pick-guards, ebony fingerboard with pointed ends, had double
split-block fingerboard inlays , diamond peg-head inlays, open back Grover
tuners, gold plated hardware, most of them had the model name engraved on the
heel cap , and were made in brown sunburst finishes . Gibson in 1934 increased the body width of its existing models and introducing the king-size Super 400 (named after its $400 price tag).
"A crowning achievement! Developed through years of research, the luxurious Super 400-CES has been acclaimed by outstanding musicians everywhere as the finest electric Spanish guitar. Superior materials and superb Gibson craftsmanship produce its clear, clean-cut powerful tone and dependable performance." — Gibson catalog, circa 1959 There are few guitars as important to the history and development of Gibson as a major manufacturer of six-stringed instruments as the Super 400 and Super 400-CES. The model first appeared in 1934 as an archtop acoustic with no cutaway, simply named the Super 400. As it was then – and still remains today in the Super 400-CES – the Super 400 was the largest guitar the company had ever produced, with an astounding body width of 18 inches. But as Gibson has evolved over the years to adapt to the industry’s ever-changing advancements, so have its Super 400s. The earliest Super 400 models were quite similar to Gibson’s other archtop acoustic, the L-5, and featured a hand-engraved tailpiece and hand-engraved finger rest support, along with an “L-5 Super” truss rod cover. In 1939, the guitar underwent several changes that still remain with it today, including an enlarged upper bout, a new tailpiece similar to the one on the L-5, enlarged f-holes and a venetian cutaway option that is now a standard feature. Although the Super 400s were discontinued during the mid-1940s because of the supply shortages of WWII, Gibson reintroduced the model in 1949. And as Gibson strived to gain an upper hand in the electric guitar market in the early 1950s, the model continued to progress with the eventual introduction of the first electric version.
In 1952 a natural finish version of the 400CES was
available and named the 400 CESN ( N for natural )
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