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Django's Centenary Celebrations

 
Born 23rd January 1910
Django's last
important appearance was with Dizzy Gillespie in the Spring of 1953. The
following May he died at the Hospital in Fountainbleu near his home at Samois
from a stroke. He was forty three years old.
‘This misrepresented and
fantastic creature, at once so captivating and so divorced from the contentions
of his age’
– Charles Delauney on Django Reinhardt
This
10 Euro Royal Belgian Mint 92.5% Sterling Silver issue celebrates the 100th
anniversary of the birth of legendary jazz guitarist Django Reinhardt in full
colour. Jean "Django" Reinhardt was one of the first prominent European jazz
musicians, and still remains one of the most renowned jazz guitarists ever with
a style of playing that is unmistakable. Reinhardt co-founded the band "Quintette
du Hot Club de France", one of the most original bands in the history of
recorded jazz.
Reinhardt's most popular compositions have become jazz standards, including
"Minor Swing", "Belleville", "Djangology", "Swing '42" and "Nuages" (French for
"Clouds").
The latest
addition to the Marlow Jazz Festival (23rd October) cast is
Celebration Swing the Gipsy Jazz Band led by guitarist Malcolm Greenhalgh.
As it is the 100th anniversary of Django Reinhardt's birth, they thought it
appropriate to celebrate his centenary with a local Marlow band specialising in
his music. Malcolm has also promised a couple of special guests added to the
band.
Paul Vernon Chester Performances During Django's
Centenary Year
Django
Drom
Multi Media Presentation by Tony Gatlif
Thursday 15 July 8.30pm
Django Drom: featuring Didier Lockwood, Birelli Lagrene and Stochelo Rosenberg
Barbican Hall
£10/15/25
Produced by the Barbican
http://www.barbican.org.uk/music/event-detail.asp?ID=10568
Legendary gypsy-jazz guitarist Django
Reinhardt would have turned 100 this year; Django Drom is a stunning multi-media
work created by film-maker Tony Gatlif to celebrate his centenary. Jean
Baptiste ‘Django’ Reinhardt was born on January 23, 1910 in Liberchies, a small
town in Eastern Belgium. He was a Sinto, a tribe of nomadic peoples closely
related to the Roma (Gypsies). Despite a severe hand injury, he was a
multi-instrumentalist but is best known one of jazz’s great guitar virtuosos.
Django Reinhardt died on May 16, 1953 in Fontainebleau, France. The show,
featuring violinist Didier Lockwood and guitarists Birelli Lagrene and Stochelo
Rosenberg, explores the gypsy roots of Django’s genius as well as his dazzling
achievements in jazz.
Photo by Daniele Mouyal

Django Drom
(Video) by Tony Gatlif
The Django of our dreams and Gatlif on the road
Tony Gatlif,
with a father from Kabyle and a Gypsy mother, has it all ; he’s an actor,
singer, screenwriter, producer and is probably today’s most powerful, if not
most intimate champion of the Rom community. Latcho Drom (1993), Vengo, Swing,
Liberté - his films evoke the wind, journeys, the road and all those who move
with music. Born in Algiers,
arrived in France following the Algerian War of Independence. He struggled for
years to break into the film industry, playing in several theatrical
productions. Since his 1981 feature Corre, Gitano, Gatlif's work
has been focused on the Roma people of Europe, from whom he partially traces his
descent. Exils (2004), won the Best Director Award at Cannes Film
Festival where
Transylvania
was premiered in 2006. In Gatlif’s extraordinary multi-media presentation,
hundreds of rarely seen Django photographs are projected, along with the few
known pieces of moving film of the great virtuoso.
In this year of
celebration of the birth (1910-1953) of Django Reinhardt (calling him ‘the Gypsy
Genius’, would be as intelligent as referring to Einstein as the ‘surprising
Jew’... their inventiveness is of the same order), Gatlif has joined forces with
three prodigious musicians - Didier Lockwood, Biréli Lagrène and Stochelo
Rosenberg. Didier Lockwood, one of the finest violinists in the history of
jazz, played alongside the likes of Stéphane Grappelli, who was for a time
Django’s alter ego, a musician who rubbed shoulders with Duke Ellington, Coleman
Hawkins and Louis Armstrong. Come now, think a little harder, go back even
further and step by step you will surely reach the muse of music, the muse of
Negros and Gypsies...and the muse of the sciences. Because these guys are truly
savants. Many Manouche musicians are guitarists - and talented ones at
that. Eleven of them will be joining Biréli and Rosenberg for this concert and I
mean no offence in saying that among all the musicians who play in the spirit of
Django, Biréli et Rosenberg are by far the ones who have gone the furthest,
breaking loose from themselves as well as from their model.
Gatlif has left
them total liberty for the musical score of this performance, while he has
himself taken care of the images, extremely rare historical documents, paintings
and fantasies...and fantasy abounds in this portrait. Gatlif is at the helm of
the spacecraft for this journey through time called Django Drom (Romany Journey). A score without
notes, or close to it...
A Ravel Boléro played in Manouche swing style had been going through Gatlif’s
head for years. Didier Lockwood wrote an arrangement for the fourteen musicians.
Quite a Guitar Orchestra with nine guitarists on stage by the end of the
evening. Some superb playing by the two main guitarists
Birelli Lagrene with
Stochelo Rosenberg
and the rising talent were equally exciting. As for the pictures of Django
– well there are more on this website. Mainly it was historical etchings
and Roma pictures brought to near life with the odd added cigarette, chimney or
open fire smoke. No commentary the Music spoke for the heritage. The
young lady violinist was very talented and stood up well alongside the
magnificent Didier Lockwood. Emy Dragoi on Accordion was
scintillating. The crescendo performance was Ravels ‘Bolero’
by the full ensemble with some very erotic but anonymous dancers on film.
Standing Ovation from the audience and near full house – if it ever comes your
way it is a must see/hear Music/MultiMedia experience. - Jazzeddie.
Atrist on Guitars included Jean-Marie Ecay,
Adrian Moignard, Sabastien Giniaux,
Benoit Convert,
Ghali Hadefi, David Gastine - Electric Guitars
Find These
Artists at Selmer #607

looking foward to 2010 and Django's
100th Birthday á Liberchies.....

2010 : le centenaire de Django Reinhardt à Liberchies (Belgium)
Hello friends of swing and guitar! - Book these dates in your diaries!
2010 the hundredth anniversary of the birth of Django Reinhardt in Liberchies,
will provide an opportunity for two musical events :
- Saturday 23rd & 24th of January 2010, an exceptional concert and show
performed by the Church of Liberchies in commemoration of the 100th anniversary
of Django.
- The week-end of the 29th & 30th of May 2010, we will present to you the 8th
festival « Django à Liberchies ». The artistic content of the festival promises
to be rich and colourful for this special celebration !
- The Festival Team.
www.django-liberchies.be

http://djangofeeds.soup.io/tag/reinhardt
http://www.jazzonthetube.com/videos/django-rheinhardt/happy-birthday-django-reinhardt.html
Dreyfus
Jazz Releases for Django Reinhardt's 100th Birthday
The American office of French-owned jazz label
Dreyfus Jazz announced that it will release seven new albums in celebration of
the 100th Birthday of Django Reinhardt.
On November 3, Dreyfus will release Bireli Lagrene's
"Gipsy Trio"; Sylvain Luc's 2-CD "Standards"; and Luis Salinas "En Rosedale." On
January 12, 2010, there will be three more releases: "Dorado Schmitt & Family";
the debut album of Rocky Gresset; and "Generation Django", a 2-CD collection of
recordings by a multitude of players inspired by Django. On April 21, 2010,
there will be one more release, Philip Catherine's "Capbreton." Another related
release, "Summertime, " an acoustic duo album by Lagrene and Luc, was released
earlier this year.

Django Symphonique
- we celebrate his 100th birthday by going on tour
with the Symphonic Django project. Concert halls and orchestras throughout
Europe are being contacted in an attempt to present the fulfilment of Django´s
own dream in symphonic widescreen format various places throughout 2010.
Symphonic Django takes on different shapes, can be customised to any festival,
concert hall or orchestra wanting to pay homage to Django Reinhardt and his
100th birthday.
Symphonic Django/ Django
Symphonique is the first ever edition of the legendary Django Reinhardt´s music
orchestrated for symphony orchestra. The idea originated from Jon Larsen and was
developed in cooperation with the festival Christianssand String Swing. The
arrangements are by Per Ekdahl and were first performed live by Kristiansand
Symphony Orchestra featuring Florin Niculescu (RO) and Stochelo Rosenberg (NL)
as soloists.
Django Reinhardt´s music is more
popular than ever. What was originally a French subculture grew in the 1980´s
not only into a European phenomenon, but developed into a global trend. There
are now thousands of musicians exploring the magical universe of Django all over
the world and ”Django” festivals in more than 40 countries.
Django Symphonique

Can anyone advise the source of this Electric
Guitar - motif RIO on the Headstock
Its normally associated with his Epiphone Era
Le Quecumbar Battersea
http://www.quecumbar.co.uk
Le Quecumbar and Brasserie in London is Europe’s leading venue
for Gypsy Swing. The musical style started with Django Reinhardt
in the 30’s and now attracts musicians and audiences from all over the world.
  
 
Le Quecumbar Posters\Django'sBirthday.pdf
http://www.quecumbar.co.uk/django100.html
http://www.jazzpolice.com/content/view/8791/115/
 
http://www.djangobirdland.com/

http://www.st-hotclubdefrance.com/site/
Hot Club of Hungary

The
Django web application framework was named after Reinhardt, and so was the
minor
planet 94291 Django†
Tribute albums
are often content with summoning up old ghosts. James Carter Saxophonist , 31,
takes a more rewarding approach on his excellent new CD Chasin' the Gypsy:
he offers up fresh takes on the music of French Gypsy guitarist Django
Reinhardt, but he does so by substituting his own instrument in the lead role.
Carter, whether he's playing tenor or soprano sax, shows off a sweet, sinuous
tone; when he reinterprets Reinhardt's classic Nuages with a bass sax, the
muscular sound is distancing at first, but then it wraps itself around the
listener like an anaconda. This CD does more than invoke Reinhardt's spirit; it
has a life of its own.
 

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