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Bob Clarke
- Jazz Violinist

Bob Clarke Violin & Denny Purssord, Guitar with Bassist Johnny Mulgrew on the Cadge in a
"Tribute to Stephane Grappelli and Django Reinhardt"
Bob playing Avalon
with Tony Oreshko at 2007 Keswick Jazz Festival
Bob
Clarke (violin)
Bob Clarke - SHIPWRIGHT BY TRADE - is a superb jazz violinist who has rubbed
shoulders with such jazz legends as Joe Venuti and
Stephane Grappelli. His professional career began back in the early
1950s when he began playing the legendary Soho clubs, including The Cottage
where Grappelli came to listen to him. Following
a festival in Moscow in 1957, Bob joined a trio that toured literally
world-wide, taking in Tokyo, Las Vegas, New York and Beirut as well as venues
all over Europe. Paris, he recollects, was always his favourite.
Bob played with the Tony Oreshko Trio for the first time at the 2006 Keswick
Jazz Festival, and brought the house down with his fantastic playing!
Clarke and Purssord have worked with Stephane Grappelli. They were members of the
Soho String
Sextet, a 'Tribute' to The Hot Club de France and were also members of
the Bill Hall Trio then Hall, Norman
and Ladd, the internationally renowned mime, music and comedy trio, originally
created by Spike Milligan. Notable venues include: The Albert Hall; 100 Club;
The Palladium; Victoria Palace; Ronnie Scott's; The Crazy Horse Saloon Paris (10
year record run); Las Vegas; World Cruise on the QE2; and The Kremlin!

Bob with Mulgrew and with Bass and onther starlet as a prop with Shirley Temple
and young Laurie London
Bob’s professional career began in the early 1950′s when he was often to be
found playing in the Soho clubs of that era. It was an environment that he
enjoyed working in and eventually Bob went on to play in some of the iconic Soho
jazz venues such as the Mandrake Club and Ronnie Scotts - at its original
Gerard Street location. On one such gig, Stephane Grappelli happened to be in
the audience and the two met and became friends, often dining together and no
doubt discussing gypsy jazz at some length. In the late 50s he went to play in
Moscow with the Denny Wright Trio and then went on to tour the world.
Eventually Bob settled in Paris playing at many of the top venues including 10
years at the Crazy Horse.
During his travels he associated with many legends and enjoyed a number of
musical collaborations. On a trip to Las Vegas met both Duke Ellington and
Nat King Cole. Bob also played on a number of occasions with
Diz Disley and
introduced Diz to Stephane Grappelli who in later years would work together.
By 1977 Bob had now formed the Bob Clarke Ensemble and returned to England from
Paris. The gigs quickly followed with a season’s contract at the Victoria
Palace. Then in Silver Jubilee week they played the opening act at the
London
Palladium. Nowadays, Bob still ventures down to London to play and during the
summer months was often be found at the Keswick Jazz Festival where he played to
a loyal and appreciative audience.

Bob with Wild Bill Bavison
I read with interest your article relating to Bob
Clarke and Hall Norman and Ladd. I would just like to correct you in
relation to the formation of the threesome and, in particular, their
preceding incarnation - The Bill Hall Trio. The groups
were originally created by Bill Hall (my Grandma's brother) - Spike was just
a member of the Bill Hall Trio. Please find attached a clip of the
Bill Hall Trio performing together featuring Bill, Spike and Johnny. Bill
was, as I'm sure you'll see, also an accomplished violinist. Kind
regards,
Rob
The Bill Hall Trio was
a musical comedy act
originally consisting of Bill Hall (violin),
Johnny Mulgrew (Double Bass and Accordion) and Spike
Milligan (Guitar). They met through the Combined
Services Entertainment
(CSE) programme during World War II and the trio continued in its
original form until 1947/8. After Milligan left, the Bill Hall Trio
obtained a new guitarist (who according to Mulgrew was like George
Formby) and other new members whenever old members left or died.
The group went on until the death (from Lung
Cancer of Johnny Mulgrew in the 1980s. (Johnny
Mulgrew died in about 1986, as Peace Work was published
in 1992, and in it Milligan stated that when Johnny Mulgrew died 6 years
ago, the trio came to an end.)
Bill Hall Trio - morphed into a tribute group
Hall, Norman and Ladd
eventually. Bill Hall died from consumption; Johnny Mulgrew, who used to
play bass with the Ambrose Octet before the war, he too died of lung
cancer.
Spike
-
My mother bought my first guitar for eighteen shillings from Len Stiles’
shop in Lewisham High Street. I was about seventeen. I didn’t know about
the plectrum guitar. All guitars were Hawaiian to me. My mother, who was
always one for saving money, said: “I’ll teach you to play.” She got
hold of a knife and slid the blade up and down the strings, and that was
my first lesson. - When we first heard Reinhardt
everyone gave up. It was impossible. It still is. He had that
personalised tone. He was influenced by Armstrong–but he had this
remarkable tone and vibrato for a guitar player. He must have had wrists
like an ox. He didn’t leave that vibrato out over the fast passages,
either. A tremendous talent.
I'm sad to have to report that my old friend, Denny Purssord, jazz
guitarist died last Saturday, 16th April 2011.
It was because of the internet that I renewed contact with Denny after a
long absence. He was much involved with the jazz scene in London's West
End in the 60s, but spent many years at the Crazy Horse in Paris with
the act, Hall, Norman and Ladd aka Bobby Clarke violin,
Denny Purssord guitar and Johnny Mulgrew bass. Denny's funeral was held
at Islington Crematorium. Ros Glickman
The Bill Hall Trio who, well, I was a good rhythm
guitarist like Django's brother. Seated one day at the guitar, I was weary
and ill at ease. my fingers wandered idly over the ivory keys ... (and bang,
there goes another elephant). I was joined by a jazz violinist Bill
Hall, then a jazz bassist Johnny Mulgrew; we became the hit of the Central
Mediterranean Forces, nabbed by Gracie Fields to appear on VE night concert,
Argentine Theatre, Rome - we are the hit of the show; we
escape, before she can sing 'Sing As We Go'. - We go. (Spike Milligan)
Bill Hall Trio
comedy
musicians video.
Probably
filmed at Pathe Studios, London.
Various
shots of the Bill Hall Trio, which includes Spike Milligan, playing a unique
version of "The Canary" on violin, Johnny Mulgrew double bass and Spike on
Gibson guitar. Bill looks to be dressed like an undertaker, Spike looks like a
hillbilly with big false black beard, the other wears a flat cap and looks
miserable - look out for his elastic string.
On 27 March 1947 Spike wrote to BBC Television asking for
work. He said he had recently performed as a guitarist with the Bill
Hall Trio at Alexandra Palace. He had now formed a
guitar duo with Reg O'List, who had just performed at the Windmill Theatre.
Spike wrote: "We present a very colourful act in
rhumba costume and our numbers
comprise sambas, beguines, rhumbas etc. We feature the two guitars and the two
voices."
When Anne Lenner vocalist left the Savoy and Carol Gibbons she formed a short
lasting trio comprising of Anne on vocals and two guitarists one called
Reg O'List and the other being Spike Milligan. They
did a tour of Germany in the middle/late 40s. then they disbanded. As Spike said
'we had to, Reg died. - Well I hope he did as they buried him'.
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