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Acoustic Guitar Pickups
Playing unamplified is a
great experience – the sound that you are making comes from your guitar
and not a box somewhere remote from you, to play quieter you play
softer, to play louder you play harder and all the members of the band
can hear each other. However in the real world of strange venue
acoustics and non-concert conditions amplification is a necessary evil.
What is the best method of amplifying gypsy jazz guitars?
Microphones - if
you have a full PA system with main speakers pointed away from you,
plenty of monitor speakers facing you and preferably a sound engineer
then using an external microphone for amplification is possible. There
are still problems – you mustn’t move in relation to the microphone (not
too much of a problem when seated) and it can be difficult to get
sufficient volume without feedback. There is also the problem of
transporting a big PA around – until you reach superstar status and
festival organisers do everything for you.
Magnetic pickups
- not a good solution for most players as the sound becomes too much
like an electric guitar, some older players did use the Stimer pickup
which fitted in the soundhole but the sound was an acquired taste and
interfered with picking techniques.
Contact pickups –
these are pickups that acquire and transmit the vibrations from the
guitar itself (rather than the air around it) and are much less prone to
feedback. They are usually based on a piezo crystal system, sometimes
with pre-amplifiers in the guitar, sometimes without. They are often
mounted in the bridge but can be a tape which is stuck onto the body of
the guitar (cosmetically better on the inside). These pickups tend to
produce a crisp quite trebly sound which is very good for projection but
which might lose some of the mid-range mellowness of the guitar.
Combination Microphone/Contact pickup systems - The guitars had two separate
pickups in the bridge and the body of the guitar and the sound from
these could be mixed using the on-board preamplifier (they were Yamaha
APX models). We then had a condenser microphone on a small boom stand
pointed at the upper end of the fretboard at get the ‘air’ sound of the
guitar. Most of the volume came from the contact pickups but the
microphone input definitely enhanced the sound. Some use guitars with
Big Tone pIckups in the bridge or a slightly different system with a
small clip-on condenser microphone fitted to the edge of the soundhole.
This has the advantage of not requiring heavy microphone stands and you
don’t have to worry about moving away from the microphone.
Babik
listening to Django circa 1950 with early pickup and foot on amplifier
I'm a Dutch guitar player, mainly Djanjo style jazz ballads on an
archtop, (chord melody) and Bossa Nova on an nylon strung guitar.
For some years i have followed JWC Guitars keeping in touch with Tony in
order to stay informed about the development of these guitars. Some time
ago I played a JWC D-hole in the Belgian Dealer's Shop and was very
enthusiastic. I notice that the top is more bent and that a
thinner skin is used. I am looking for a more open sound which I hope to
find in a good D-hole so I await the new series. I struggle with
amplification for the acoustic guitar. Many Gypsies use the Big
Tone., but serious Luthier's know that these pick-ups are passive,
cheap, loud and as it is simple to install, it is very popular among
Gypsy Jazz Players. With a critical ear BigTone does not amplify the
full sound spectrum from a good guitar. There are pick-ups that
will amplify the resonance of the top soundboard ( B-band, Shadow,
Schatten etc., Can you give me an advice? - Louis Frederix.
As regards Pickups – as you say most acoustic guitars can be fitted with
Piezo Biggertone Pickups under the bridge.
http://www.jwc-guitars.com/accessories/bigtoneUK.htm
Stimer pickups are still available – and can be adapted for D-Holes but
are dated and a question of taste.
http://www.paulvernonchester.com/Django_&_Stimer.htm
this link may be of
interest
http://reviews.harmony-central.com/reviews/Acoustic+Guitar+Pickup
Saddle pickups are very good these days but...still take only the string
vibrations, not the soundboard. Only Highlander has a saddle pick-up
that claims to be also sensitive for vibrations of the downside. Very
good sound reproduction, much more tonal spread than the Bigtones,
which are only favourite in the gypsy-community, If the client wants to
copy the bad taste of Gypsy Performers, so be it.
Highlander
Pickups Intallation.htm
Ald Tone Pickup
Contemporary Pickups

www.Biggertone.com
The Biggertone is an active bigtone pickup
for Selmer style Oval-Hole & D-Hole guitars: -delivering a realistic
tonal spectrum with a steady and powerfull output . -not only loud but
also perfectly string-to-string balanced without feedback . -it can be
connected to almost any type of acoustic or electric amp, recording desk
or PA system. -installation is easy and only demands a good study
of the included detailed manual. Biggertone
pickups are handmade of quality components and individually
tested . They are the result of a long time research with the
best bigtone-performance possible today. There are 3 standard
bridge heights available : 19mm - 21mm - 23 mm Other heights can
be made on simple request !
Biggertone Pick-Ups - Video
Closing title sequence features Duet by Paul Vernon Chester and Nick
Mellor
Stimer playing 'Djangology'
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Biggertone active pickup BAP1 :
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ebony bridge (L)127x(W)14 mm.
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available heights : 19mm - 21mm - 23 mm (specify
with order please)
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piëzo-ceramic element sealed into the bridge
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active output preamp
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9V-battery holder
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detailed installation-instruction sheet
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tin- box package
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Biggertone passive pickup BPP1
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Although our active system is recommended it is
possible to order the 'passive' version of the Biggertone.
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Please note that an outboard preamplifier will
be necessary for best result.
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Same specs as the BTP1A but without the active
output preamp & battery holder
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Quality end jack plug included
The
Micro Chevalet is an ingenious pickup solution built in France by Patrick
Inghilleri.
This pickup allows one to amplify a Selmer type
guitar without having to do any drilling whatsoever. Just place this bridge on
your guitar like any other and connect the cable to the cleverly mounted
mini-jack on the bass side of the bridge.
A larger 1/4" adapter is attached to the
tailpiece with a piece of velcro. This system is very easy to remove so it is
attractive to anyone who doesn't want to modify their guitar and/or wants the
flexibility of changing bridges.
This pickup has a fantastic sound and has become
popular with some of the top young French players such as
Adrien Moignard
and Mathieu Chatelain.
The pickup also comes with a beautiful hand made wood box which
you can use to store the pickup when not in use.
Benedetto Pickups Archtops
The highest quality, no-compromise range of
signature jazz guitar pickups available anywhere. All Benedetto pickups are
handmade in Seymour Duncan’s Santa Barbara, California workshop. They’re each
fully shielded and include detailed wiring and installation instructions.
According to
Bob Benedetto, this pickup is “the best sounding jazz pickup I’ve ever heard.
There isn’t even a close second.”
B-6
(6-string)
Magnet Alnico V Bar
Cable 4-Conductor shielded. Allows multiple wiring options.
DC resistance 12.10 K Ohms
Inductance 7.10 H
Resonant Frequency
Series - 4.29
KHz
Split
- 7.93 KHz
Body Measurements 2.74 x 1.49 x .70
Centres of Mounting Legs -
3.062"
Part No. - 11601-03
Schatten HFN-S2 Pickups for Selmer/Maccaferri Instruments
The HFN-S2 is designed to give you a full, rich
sound and will reproduce exactly what your guitar sounds like. These pickups
utilize an elegant combination of materials: rosewood for its main structure and
arching with a light weight brass shell for its noise shielded piezo unit. Total
weight of the pickup is a very light 0.2 ounces (7 grams). It will not affect
the acoustic sound of the instrument when not in use.
The HFN-S2 will fit virtually all Selmer/Maccaferri instruments with
standard Selmer style bracing. For more information on fit and bracing,
HFN-S2 Artist models are available with
either one or two thumbwheel volume controls. These thumbwheel controls simply
stick to the underside of the lip of the sound hole. A single thumbwheel control
would be used to control the volume of the pickup. The second thumbwheel control
would be used if you wish to add a secondary pickup magnetic pickup. Having two
thumbwheel volume controls allows you to mix and blend both pickups as you like.
Installation is quick and simple and takes about 20 to 40 minutes
depending upon pickup model. All HFN-S2's come fully wired, complete and ready
to install. The Artist models also include a self adhesive velcro mount cordura
nylon battery bag. Neat and tidy.
 
Schatten Pickup Intallation
Audio-Technica
PRO 70 Lavalier Microphone

In the quest for the smallest and lightest
amplification setup take a look at small microphones that could be attached to
your guitars. On Bireli Lagrene’s Live Jazz A Vienne DVD that most of the
guitars are amplified using a small microphone taped just below the soundhole.
The Microphone used on all of the guitars on the
Lagrene DVD is the Shure Beta 98/s, it is a miniature super cardoid.
The PRO 70 is also cardoid
condenser microphone that comes with a small metal box (with a belt clip) which
contains a single AA battery as power supply (though phantom power can also be
used) and interfaces it to an XLR microphone cable.
It is supplied with a lapel clip
and the instrument clip shown on the right of the photograph which is designed
to fit it to acoustic guitars.
Audio-Technica Pro70 Lavalier Mic
 
Miniature condenser microphone is ideal for both
vocal and acoustic guitar applications
Natural and articulate vocal reproduction when
used as a clip-on lavalier—clothing clip included
Excels in pickup of acoustic guitar with
included instrument adapter
Cardioid polar pattern reduces pickup of sounds
from the sides and rear, improving isolation of desired sound source
Switchable low-frequency roll-off
Corrosion-resistant contacts from gold-plated
XLRM-type connector
Operates on battery or phantom power
6' (1.8 m) cable permanently attached between
microphone and power module
Experiment with using the clip to
mount the microphone on the outside (left) and inside (right) of the guitar. The
first thing to notice it that the clip is quite bulky and will only fit a D hole
gypsy guitar, it touches the strings if you try to fit it to an oval hole
(though you could discard the clip tape it on an oval hole). Although it looks
bulky when mounted on the outside it doesn’t get in the way because most picking
is nearer to the bridge than the fretboard. It seems to work better when mounted
inside because there is much less feedback and the sound stays the same.
How does it sound? It gives a
good clear sound with plenty of middle. It isn’t ideal as a single source of
amplification because it is difficult to get the top end punch that you need for
gypsy jazz and it is hard to get it up to sufficient volume at gigs in large or
noisy rooms without feedback. However when combined with the Bigtone Piezo
pickup it is ideal - the Bigtone provides the punch and high end and the
microphone fills out the mid range and gives the sound some ‘air’.
The Bigtone reproduced the
percussive plectrum upstrokes when playing rhythm so there doesn’t appear
to be any need for an external microphone around the soundhole.
This is a good combination with
the Bigtone pickup - and everything fits into your guitar cases or the gig bags
which the AER amplifiers are supplied in, - no more big heavy bags filled with
microphone stands (Use a wireless microphone for announcements to avoid any).
B-Band Acoustic Soundboard Transducer (AST 1470)
The B-Band AST is made of the same exclusive
Emfit film material found in the UST but designed to fit at the bridge plate or
soundboard of an instrument. The AST has a very wide frequency response and
dynamic range to capture all the tone details of an acoustic instrument. AST has
all the advantages of a microphone without the positioning and feedback issues
that are usually associated with mics.
The AST is very thin, lightweight and compact.
Because of it size and the adhesive on the back, it is easy to navigate to fit
anywhere inside an instrument without critical positioning. The construction of
the AST is a long consistent structure that ends with a connector for easy
plug-in fitting to a B-Band preamp without soldering.
Compatible with all B-Band preamps, the AST can
be used as a stand-alone source or in combination with a UST with a B-Band dual
source preamp. AST can be used with any acoustic instrument with good access to
the surface that it will be mounted.
Shadow
Electronics Acoustic Guitar Pickups
Pickup
Descriptions
SH EC 22 -
Preamp with Condenser Microphone & Pickup


Shadow`s soundhole fitted preamps for acoustic &
classical guitar are designed for sonic clarity, ease of installation and
preservation of your instrument.
The SH EC 22 Megasonic is an easy-to-fit preamp system for acoustic and
classical guitar. With the pre-amp control pots and separate volume controls
for condenser microphone and piezo under saddle pickup that will be able to
reproduce the sound of your instrument faithfully. Because Sonic pre-amps are installed into the soundhole there is no need to cut a hole in the bout/frame of the guitar. It
only touches your guitar in two spots: the rubber coated clip which slides
over the edge of the sound hole and a velcro pad under the soundboard.
- adjustable high quality condenser
microphone
- undersaddle piezo bridge pickup with
2.5mm plug
- feedback suppression switch
- piezo volume, bass, midrange (via trim
pot) and treble controls
- microphone volume control
- endpin connector and cable
- incorporated 9-volt battery compartment
- controls are easily readable from the
lip of the sound hole
- velcro stickers for simple mounting
- measurement pickup: height: 2mm; width:
2.2mm; length: 70.2mm
Shadow SH NMG-EP
 
Shadow`s SH NMG-EP endpin
preamps are designed to fit specific sounds of different types of instruments.
Their easy installation and low power consumption make these products very
user-friendly and popular.
NanoMAG is a small size magnetic pickup that fits at the end of the
fingerboard. It is the only pickup of this kind on the market which provides an
acoustic sound, but can also produce a sweet blues or jazz sound. It is very
resistant to feedback and has incredible dynamics.
NanoMAG is a breakthrough in magnetic pickup technology that outperforms all
the rest.
- NanoMAG pickup with endpin preamp for
acoustic guitar
- easy installation without damaging your
guitar
- incl. battery pouch (for a 9V battery)
- Battery life: 750 h
The
Shadow pick-up with the small black bar, will surely produce good quality, but
as is has to be put on the end of the fretboard: that is where the problem
arises: normal acoustic guitars have a straight end to the fretboard, in the
neighbourhood of the soundhole. With Django guitars its a different story: the
oval holes have no straight end to the fretboard and the D-hole models have a
much longer fretboard ,extending over the hole. Where does one place this
black bar pick-up? So I'm afraid that this pick-up should not be mentioned here
as a possibility for such guitars as it cannot be installed. - Louis
Shadow SH NFX-MAC
 
Nanoflex Pickup for the Django Reinhardt Guitar
SH NFX-MAC
It is the first time that a Selmer Maccaferri style guitar is amplified with a
pickup that reproduces that special sound truly. You will hear the gypsy soul
and the fantasy of their jazz music with every touch of the pickup faithfully
reproduced by Shadow’s SH NFX-MAC. The pickups mount under the bridge and
connect to the detachable preamp unit with volume and tone control, input and
output sockets. No modification on instrument needed!
The
Shadow Nanomag pickup will surely be a good product, these people know what they
are doing. I have a Shadow pick-up, also with Nano-technology it consists of 2
small pads that are put under the feet of the ebony bridge, so taking the
vibrations of the top of the guitar which of course gives the broadest tonal
spectrum of the whole soundboard. The less attractive thing is that the small
wires of the pick-up are visible; going to a small pre-amp that is put at the
end of the tailpiece: but It's a construction that does no harm to the guitar:
no holes to be drilled, no internal pre-amp with difficult battery-switching.
- Louis
Miller Pickup
Because the casing of
Stimer is with 10 mm rather high and a touching of the strings at certain
guitars is possible, the Miller- pickup has a very thin casing.
The bottom is not pressed in, but fixed with four screws to the casing. This
allows perfect assembling and - if necessary - better access for repairs. There
are two systems available to attach the pickup on the soundboard, a) with the
supplied transducer adhesive and b) with spring clamps suitable only for
original Selmer sized o-hole. A very nice volume control, not so big and heavy
as the original. Finished in brass and chrome. Available with Volume control.
modelled it to the original Stimer S.51- pickup of the
fifties. So the original magnet has been measured out , also the single coil is
manufactured close to the original as well as form and material of the housing
to reproduce an utmost authentic sound.
Miller Pickup
Krivo Pickups for Gypsy
Guitars
Krivo pickups are a collaboration between their designer and the community of
players that use them, all of the various models have resulted from player
requests, comments and encouragement. They implore all their customers to share
ideas and constructive input. As a Professional musician he has tested every
design, He strives to make professional quality pickups for working
musicians More and more professionals are using his designs and he will stand
behind every product to assure that each Krivo customer is satisfied with their
pickup. I will make sure you get a pickup you enjoy playing or your money back.
In General, The humbuckers are more acoustically transparent and bright and the
flat top single coil is the closer to the traditional “ Jazz box” Darker “Stimer”
sound. Made by hand in Oregon USA in small batches, only a limited number
produced per month . These are the thinnest on the market - less than 1/4″ thick
Krivo Pickups for Django Gypsy Jazz ( Selmer) Style guitar. DJANGOBUCKER
humbucking noise free pickup . The only Humbucking Pickup for Gypsy Jazz Guitar.
and Slimmer in Profile than Both “Stimer” And “Peche La Mouche” Models ( only
5/16″ ( 6mm) thick) Hand Wound with vintage Formvar Wire, Mogami cable, Neutrik
connector, and Real Maple Wood finish Excellent alternative to traditional “Stimer
pickup”. These pickups are very responsive to EQ so a wide range of tonal
colours are at your disposal, from bright and transparent to thick and coloured.
Works equally well with a tube amp or Schertler, AER type acoustic amps. Uses
neodymium magnets for Clarity and Brilliance with strong lows. The innovative ”Optimized Microphonics” design Senses Acoustic vibrations from soundboard in
addition to string vibrations. (This pickup has great string balance,
Specialized for use with Argentine type strings, Adjustable poles so you can use
ANY strings you like, adjustment wrench included) mounts with non invasive
Easily removable putty. No modification to instrument, mounts in seconds. fully
shielded for noise elimination. less than 1/4″ thick , very lightweight.
excellent transparent Acoustic tone. Uses regular 1/4″ guitar cord, just plug
right in! see video to hear this pickup in action.. More models Available,
Single coil, Blade sensor .integrated volume models on any type for additional
cost.
Krivo Custom Pickup
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